![]() ![]() Sure, there’s a good chance your mix sounds quite a bit better than the raw track you were sent to begin with, but that’s not the standard by which it will be judged! ![]() ![]() Start With A Good Point Of ReferenceĮver spent hours mixing a song to a point where you think it sounds really punchy, bright, clear, wide and deep, only to compare it side by side with a pro radio mix and realize it’s actually none of the above? In today’s article, we’re taking a look at four ways you can go about slowing down your trigger-happy tendencies during mixing and make sure all your decisions are the right ones. The ironic truth of the matter is, an over-processed, somewhat unnatural sounding signal will usually stick out more to a listener than a totally raw and untouched one! Over-processing is a problem that most engineers seem to face at one point or another in their careers.Īs we’re all discovering new techniques and learning more about our tools on a daily basis, there’s the potential to fall into the habit of doing more than is necessary just for the sake of feeling like we’re doing “enough”, and actually giving our customers their money’s worth. ![]()
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